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Sunday, August 20, 2023

Aug. 23 to Oct. 4 :

 I will be out of town from Aug. 23 until Oct. 3.  I am hoping to be back for Oct. 4 for the Pittsford Discussion.  

Aug. 23

To Make a Prairie --  Emily Dickinson

Golden Shovel [1]by Kimiko Hahn

The Golden Shovel by Terrance Hayes

Invented Landscape by L.A. Johnson

Tyranny of the Milky Way  by Claudia Castro Luna

The Meaning of Simplicity  by Yannis Ritsos (trans. by Rae Dalven)


[1] Form invented by Terrance Hayes.   https://www.writersdigest.com/write-better-poetry/golden-shovel-poetic-formYou will see how he imitated Gwendolyn Brooks' use of the repeated end word "We" in her poem  "We Real Cool" (The Pool Players/ 7 at the Golden Shovel). https://poets.org/poem/we-real-cool  In hommage to her, he uses her entire poem, word by word, ending each line.  Some poets have done this with first words of each line, rather like an acrostic. 

**

Aug. 30

Elegy, Surrounded by Seven Trees  by Rachel Eliza Griffiths

The poems below  selected by John Lee Clark,the deaf-blind poet  who wrote How to Communicate.  This short interview explains his choices!

https://poets.org/July-2023-poem-a-day-guest-editor-john-leeclark?mc_cid=9815c49871&mc_eid=248758c95e

            Dear America by Rachel Eliza Griffiths

            A New National Anthem by Ada Limón 1976

            United by Naomi Shihab Nye

            Old South Meeting House by January Gill O’Neil

***

Sept. 6

Dust to Dust  by George Pestana

Passing Through by Stanley Kunitz

The Quarrel by Stanley Kunitz

Let Me Begin Again by Philip Levine

The Layers by Stanley Kunitz

for a celebration of Kunitz: https://www.theatlantic.com/magazine/archive/1996/06/a-visionary-poet-at-ninety/304941/

Judith reports: Mary said this selection was the most philosophically gripping of any you have assembled.  Paul was his ineffable, urbane self in presiding, and created a complex design to connect certain word and themes—result, a diagram that resembled an arcane illustration in some alchemical or theosophical tome…( in connection with the hourglass poem) which was amazing

O it was fine!

 

**

Sept. 13

Fun with form:  Villanelles

Do not go gentle into that good night by Dylan Thomas

Go Gentle  by Bruce Bennett

Rondel of Merciless Beauty by Geoffrey Chaucer

Closures by by Oliver Tearle

If I Could Tell You  by W.H. Auden

The House on the Hill  by Edwin Arlington Robinson

The Waking  by Theodore Roethke

Judith proposed two more: Voicemail Villanelle and Villanelle of Acheron by Dowson

Her note on Dowson:  source of two memorable quotes—one of which is that of a famous novel and film, Gone With the Wind, and the second is in a famous Broadway song, and may be the title—“I’m Always True to You, Darlin’, in My Fashion” and of course I cannot remember what show.  Dowson lived in the days of classical education, and the title is drawn from Horace (Quintus Horatius Flaccus, that is, not my brother…) Non Sum Qualis Eram Bonae Sub Regno Cynarae.  I Am Not Such, As I Was in the Reign of the Good Cynara.  Odes Book IV. 

He is very good at what he did, what he did was self-induced morbidity in large part and imitation Verlaine, (whom he translated), but also a sort of watered down Swinburne?  Gets icky if indulged in a lot, and won’t feed one sturdily.  Too anemic.  But nice as petits fours.  And of course he is immortalized as one of the models for “Enoch Soames” in the Max Beerbohm short story. 

Judith also gave this recap of a "lively discussion boosted by a "newbie" Cynythia.  David White, known to Paul and a few others  also ambled in.   Bernie had some interesting things to say, and Martin was quite inspired as well.  The modern villanelle I brought was much appreciated after some of the back and forth about do not/do go gentle.  I quoted Millay (of course) but only remembered the last lines, of her long poem "Moriturus" —“they shall drag me forth, screaming at the south and clutching at the north…”

Paul attempted the interesting idea of having us read the first two alternately—but folk lost their place and it got very muddled…but game attempt.  

 

**

Sept. 20

The Caseworker Speaks of a Good Fit by DJ Savarese

Ship/Plum by Maija Haavisto

My Number     by Sandra Alcosser

For Horses, For Horseflies by Jane Hirshfield

Sheep by Jane Hirshfield

Zone Rouge by Molly Underwood  

**

Sept. 27: Kathy Button

Salvage by Amy Clampitt 1920 - 1994

The Illiterate by William Meredith 1919 - 2007

Pont des Arts by Rebecca Wee

Body  by Alice Oswald from Falling Awake, 2016

Like tiny baby Jesus, In velour pants, sliding down your throat (a Belglan euphemism)[1]

            —Jenny  by Thomas Lux, from Child Made of Sand: Poems 2007-2010

Render, Render  by Thomas Lux - 1946-2017

The Word that is a Prayer  by Ellery  Akers

Question  by May Swenson



[1]Note from Kitty:  C'est le petit Jesus en culotte de velours”—  (according to the internet, "it's an expression you can use to express that what you’re drinking or eating is so delicious you’re having an ecstatic experience.”) Neither my husband or eye ever heard it in Belgium.  However,  It makes sense if you want to describe a smooth alcoholic beverage that slips down your throat and metaphorically sends you straight to heaven!

 **

Oct. 4 + 5

Habit by Jane Hirshfield

Poem Holding Its Heart In One Fist by Jane Hirschfield

A Cedary Fragrance by Jane Hirschfield

Rock by Jane Hirschfield

 You're from Nowhere by Abby Murray

October by Helen Hunt Jackson

Speech — is a prank of parliament-- by Emily Dickinson

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