O Pen! In 2004, I wrote a poem called "O Pen" and performed it at an open mic. Mid-way through Pacific University's MFA program, I decided I needed a way to discuss poems I was studying or wanted to know more about. O Pen sounded like a perfect name for such a group, and we have been meeting each week, since February 2008. I dedicate my musings to the creative, thoughtful and intelligent people who attend and to those who enjoy delving into the magic of a poem!
Wednesday, October 1, 2014
poems for September 29
Speaking Is – by Cara Benson
To an Old Square Piano by Robinson Jeffers
A Gift by Amy Lowell
An Ending—Howard Nemerov
Solitudes by Margaret Gibson
Theme for English B by Langston Hughes
They Sit Together on the Porch by Wendell Berry
A Rune, Interminable by Marie Ponsot
A full slate of poems which started with "speaking" -- and how we speak up, or voice, and ending with listening to Eileen Aroon
https://www.youtube.com/watch?v=PoWpQWanUAI as "A Rune" reminded paul of "Aroon" which means "a loved one".
Ending of a season, a time, and what is lost along the way, what remains true within us.
The first poem felt delightfully cubist -- geometry (including the comment speaking is a "trap -- e void") and odd assortments of objects, where a chamber pot and helmet fit side by side; the conundrum of the witty reversal of "not customs— accounting" in what is declared or not.
What is our custom, what do we account for general customs we don't speak out about,etc.
Associations included Frost's "Out- Out..." the fatigue at the end of the day and survival vs. "those that lifted eyes could see";
lay-out... If you take the title and last word: Speaking is... accounting...
Judith was reminded of the Cocteau film, Orphée – l’oiseau chante avec ses doigts deux fois...what comes out of radio...
I can't remember who said “I hope whatever team you’re playing on, wins...” or why...
but however it is -- most of us agreed, Benson's poem was worth reading again.
Jeffers poem felt more dated (remember he was born in 1887!) old-fashioned but not treacly...
a sense of wearing down... the piano respected for its own history...with lovely deep O
sounds and end-rhyme ABC ACB.
Lowell's "gift" felt like anything but if the expectation was something not sludgy. Self-centered creepiness? a bad joke? Amy-gist as imagist, an epithet Judith said people applied to her.
Nemerov provided relief...
subtle use of rhythm...the pleasure of the sound texture, diction...
language is tough... intensely thoughtful, external/internal.
We discussed weather/mood... exhausting to be always sunny...
The next poem, posted on Writer's Almanac Sept. 11, has a few "cutesy" line breaks which detracted from a sense of waiting-- perhaps Gibson's idea of reinforcing separation, and Solitude.
How satisfying then, to read the terrific Langston Hughes -- although the poem was published in the 1959, probably written earlier. The separation between white and black, a lot more powerful than the waiting loneliness in the Gibson. Hughes poem walks you into a deeper daring to say I, just like you...have my truth to say. We discussed the idea of writing as being "black ink on white paper" black on white... and the "somewhat more" that comes before "free" -- both about race, but also implying censorship of what is written.
We thorough enjoyed the Wendell Berry -- the conversation an old couple can't bear to voice... We talked about different ways of avoiding saying “die”: – he steps out of the picture...
goes first... gone to your reward... laid down w/ Jesus...
kicks the bucket... bites th dust... called home...
you have two days to go...
A satisfying session -- because of the discussion, bringing to life through words, a liveliness about closure.
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