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Friday, October 28, 2022

Poems for October 26-7

IX  by Wendell Berry : my notes: Perhaps you are intrigued, wondering what the 8 thoughts before IX are… or what would be the 10th.  Words with hard c’s, tell the story of cutting, and how Berry comes to welcome back what once he cleared…  I love the “w” sound of “once”… how it whispers in “own”, launches “wasted” and “work” giving them new sense in welcome. He uses the word “joy” — and as I work with his words, reading, savoring, feel a sense of  joy — this feeling no one can take away, no matter if it is not understood.

Goods by Wendell Berry For the Wendell Berry poems, the Rundel group enjoyed the surprise of the juxtaposition of “waste/failure” with joy, and the sense of the personal sense of place with greater universals on Earth.  Goods is a wonderful “loaded” title both for what we carry, the team of mares, the feelings…

My Luck  by Joyce Sutphen
We loved the Sutphen poem — the fabulous enjambments and the “linked trail” of 4 stanzas of mishaps;  her positive attitude towards life, and accidents.   
Indeed, most of life is tempered by luck.

The Atom No.. 18 by Sarah Mangold
 Why do we never talk about Argon?  I looked it up and was amazed at all the uses… 
It’s a wonderfully curious set up with the split italics and “ball” of words, with two hyphenated (trans/lation; indicat/ing). The conclusion we had: atoms make all other things…held together .  What humans define can come apart. Loved the “recital of uncertainties”;  wondered about the adverb “lastly” with light nestling (light as wave and particle?).  Enigmatic idea of “translation of space”…


After by Andrea Cohen
After:  too much word play took away the pleasure, but we saw “Stars” in Aster… which added a flavor of a God to the someone.  The symbol of Aster
means love, wisdom, faith.

Hotel Earth by James Longenbach
 We felt we were witnessing someone’s dream.   Fabulous title. 
This poem came from his sixth book,, Forever, published in 2021.  The poem appeared posthumously in the Atlantic in September (he passed away after July 29, 2022 )
From the description of Forever:  These luminous, lyrical poems pose a question: Why did this poet once live as if he would live forever? And what does it mean to know that we will not?

Forever explores the meaning of love, from its discovery in the first poem, Two People, to its maintenance in the last, Forever. In between, the volume explores the precariously imminent demise of all that we love?the finite lives of other people, the mortal beauty of Venice--all thrown into urgent relief by the poet's own cancer diagnosis.

Evoking the vivid dailiness of domestic life...and the specificity and poignance of memories, these lyrics are intimately personal, achingly autobiographical (Langdon Hammer, American Scholar). Forthright, moving, and wry, the poems in Forever look back gratefully--excitedly--on a lifetime of self-making and self-shattering events.

Lovely tribute to him here: 

https://www.rochester.edu/newscenter/remembering-james-longenbach-poet-critic-530072/



Change of Maps  by Carolyne Wright
  Only relying on Wright’s words, without  Elizabeth Bishop’s entire poem, Geography, (last line of which quoted as epigram)
invites a contemporary view of how we navigates, understand out world. Interesting to reference the Bishop and her ideas of geography, and how we "map".  https://www.poetryfoundation.org/harriet-books/2012/09/elizabeth-bishops-geography
We discussed briefly the final stanza, and meaning of “true/colors of our going” — how we are remembered.

Thursday, October 20, 2022

Poems Oct. 19-20, 2022

 Before I was a Gazan by Naomi Shihab Nye

We admired the “economical” understatement set up by the title and first line, the juxtaposition of something ordinary missing, like homework, with the brutal subtraction caused by war… how the measures used for  math homework, the pride of additions made, multiplied…  become unsolvable problems.

We related so much to this boy, this “I” which brought up this question.  Why did Naomi pick a boy, and not a  “child” or “a girl" as the speaker of the poem? (I wrote her to ask.)

We all concur, that the poem is so stunningly executed, the surprises deftly dealt… that small enjambed addition about the baby sister / “who couldn’t talk yet”.
Judith was reminded of the passage in Job, “And I only have escaped to tell you.”  ("This quote from the Bible is that of Job's servants telling their master some very bad news.  Melville uses it in Moby Dick b/c Ishmael, the only survivor of the debacle, is at least healed and reconciled with God." (internet source.) 

 Indeed, this poem is given to the world… like the one remaining voice, and we all become the “I” who must resolve to find something, that can find answer to the situation, not just in Palestine, but every place  where a child is at risk, school is not a safe place, and everyone suffers from the heartbreak of genocide, of murder.  We brought up Racial Justice... the meeting on Monday to discuss the Palestinian question; Judith also brought up Jan Karsky https://en.wikipedia.org/wiki/Jan_Karski
 
Breaking Free  by Stuart Kestenbaum

We admired the story telling and effective line-breaks which enhance it, the viewpoint of shoes the dog sees (blunt-toed shoes of the army // of teachers) and the especially touching line/stanza breaks in the final stanzas.

He wags his tail when he sees me, but I am//        So many possibilities of what could follow as you drop to the enjambment
in the stanza below.  
From "my dog", the play on "I get the dog", i.e. I understand the dog, as well as fetch him.

Go home, I tell him, go on home, ignoring //     again, many directions of the story could happen here.  
the line-breaks after shutting/
the great wooden doors                    are equally surprising... shutting the part of him that is without a collar and free.

The dog is presented as a message, delivered by a friend whispered to the teacher.  Rather like an angel. 
What does school do to a child?  And what about the insistence of the dog to find him?
Martin shared a personal story of the feeling of being closed off with the tragedy of hearing the news that his sister was dying.
How else do we close off integral parts of ourselves?  The title seems to apply both to the dog, but also hopefully, to the speaker of the poem!
These quotes about school came to Judith's mind:
from Shakespeare, "As You Like It"  https://web.cs.dal.ca/~johnston/poetry/worldstage.html   "then comes the whining school boy with satchel and shining morning face, creeping like a snail unwillingly to school." 
and  Wordsworth: "And from his alder shades and rocky falls,. And from his fords and ... Fair seed-time had my soul, and I grew up.  https://www.poetryfoundation.org/poems/45542/the-prelude-book-1-childhood-and-school-time

Give yourself some Flowers by Marcus Amaker.  This video has the poet speaking it with some visuals:
https://www.youtube.com/watch?v=ykHOVQKt4iw   A lovely poem for when dark days surface.  Almost like an advice column, although we disagreed that it was a "poetical Ann Landers".  Maureen at Rundel was reminded of the Four Agreements: (Be impeccable with your own words; do not take things personally;  do not make assumptions; always do your best.)
We weren't sure what "praise warm energy" meant, but the advice to be an adaptable star and "float in the black" came up in the Kunitz as well... Good repetition of "keep in mind/all of these things..." 
Give yourself some flowers... you are a star-- "made perfectly/ for this moment/in time."

pronunciation by Leora Kava
One needs to read the note to understand the Tongo tradition of caring for the "Mala'e" word for cemetery.  
There are 4 sentences  but it is not until the third sentence that the title appears.  It is perhaps  pronunciation as a
pronouncement, a way of presenting a language of the broom and its sweeping, the "oh's" made by the mouth of hands that hold it, release, in an act of caring for ancestors' graves.  The ants have come, have always come, vestiges of offerings, even
blue plastic flowers -- and how weeds cover up.  Joyce (Rundel) is part of Friends of Mt. Hope cemetery and immediately related to this and her care of tending cradle graves.  One finishes the poem with a new thought about language, where act and emotion create the meanings through gesture and feeling.

The Round:  by Stanley Kunitz
Thank you Kathy for bringing up his book Wild Braid. Whether his garden, his poems, life and death are always together.
I am reminded of the Buddhist slogan:  "No mud; no lotus".  The opening light -- splashed, flowed, kisses -- and the delicacy of "shell-pink" and weaving of all the sibilance -- indeed "A curious gladness" shakes the reader as well as poet recounting.
So... repeated three times... as in... truly, thus... because of what I have witnessed... he shuts, trudges, sits in semi-dark, hunched over his desk by the compost heap... and the round recommences, "Light splashed"... 
The final 4 lines are a marvelous reminder to be mindful of such moments -- for this confirms the repeats, as the round continues the next day, with a new life... as it does each day, as it does each day.

The Past  by Barbara Guest
4 enigmatic lines suggesting endings beginning, echoes and mirrors.  Judith was reminded of these words by Tagore:  "His own mornings are a new surprise to God."  (Perhaps the idea, "God's own mornings are a new surprise to him"?) and also Bavarian Gentians: https://allpoetry.com/Bavarian-Gentians
Elaine brought up H.D. (Hilda Doolittle), imagist poet about whom Barbara Guest wrote in her book, Herself defined: H.D. and her World.  which documents the life of Hilda Doolittle, the poet and modernist whose work led the vanguard of women's literature from the eve of World War I until her death in 1961.

Sunday, September 4, 2022

Poems for October 12 (Poet Laureates)

 Maxine Kumin (NPC 1981-2 https://www.britannica.com/biography/Maxine-Kumin

Anthony Hecht (NPC 1982-84) https://www.britannica.com/biography/Anthony-Hecht

Robert Fitzgerald (NPC 1984-5, limited due to health) https://www.britannica.com/biography/Robert-Fitzgerald

Whittemore, second term: 1984-

Gwendolyn Brooks (NPC 1985-6)https://www.britannica.com/biography/Gwendolyn-Brooks

National Poetry consultant now National Poet Laureate:  1986 (Robert Penn Warren-- see Sept. 7; NPC 1944)

Richard Wilbur  (NPL 1987-8) https://www.britannica.com/biography/Richard-Wilbur

Nemerov, second term as NPL (1963) for two terms 1988-90) 

Mark Strand (NPL 1990-91) https://www.britannica.com/biography/Mark-Strand

 

Almost Spring, Driving Home, Reciting Hopkins  by Maxine Kumin

 

"A devout but highly imaginative Jesuit,"

Untermeyer says in my yellowed

college omnibus of modern poets,

perhaps intending an oxymoron, but is it?

Shook foil, sharp rivers start to flow.

Landscape plotted and pieced, gray-blue, snow-pocked

begins to show its margins. Speeding back

down the interstate into my own hills

I see them fickle, freckled, mounded fully

and softened by millennia into pillows.

The priest's sprung metronome tick-tocks,

repeating how old winter is. It asks

each mile, snow fog battening the valleys,

what is all this juice and all this joy?

 

for more poems: https://www.poetryfoundation.org/poets/maxine-w-kumin

 

Death Sauntering About by Anthony Hecht

 

The crowds have gathered here by the paddock gates

And racing silks like the flags of foreign states

Billow and snap in the sun,

And thoroughbreds prance and paw the turf, the race

Is hotly contested, for win and show and place,

Before it has yet begun.

The ladies' gowns in corals and mauves and reds,

Like fluently-changing variegated beds

Of a wild informal garden,

Float hither and yon where gentlemen advance

Questions of form, the inscrutable ways of chance,

As edges of shadow harden.

Among these holiday throngs, a passer-by,

Mute, unremarked, insouciant, saunter I,

One who has placed

Despite the tumult, the pounding of hooves, the

sweat,

And the urgent importance of everybody's bet-

No premium on haste.

more poems: https://www.poetryfoundation.org/poets/anthony-hecht - tab-poems

 

Lightness in Autumn by Robert Fitzgerald

 

The rake is like a wand or fan,   

With bamboo springing in a span   

To catch the leaves that I amass   

In bushels on the evening grass.

 

I reckon how the wind behaves   

And rake them lightly into waves   

And rake the waves upon a pile,   

Then stop my raking for a while.

 

The sun is down, the air is blue,   

And soon the fingers will be, too,   

But there are children to appease   

With ducking in those leafy seas.

 

So loudly rummaging their bed

On the dry billows of the dead,

They are not warned at four and three   

Of natural mortality.

 

Before their supper they require   

A dragon field of yellow fire

To light and toast them in the gloom.   

So much for old earth’s ashen doom.

 

more poems: https://www.poetryfoundation.org/poets/robert-fitzgerald - tab-poems

 

An Aspect of Love, Alive in the Ice and Fire

by Gwendolyn Brooks

                                                                                 LaBohem Brown

 

In a package of minutes there is this We.

How beautiful.

Merry foreigners in our morning,

we laugh, we touch each other, 

are responsible props and posts.

 

A physical light is in the room.

 

Because the world is at the window

we cannot wonder very long.

 

You rise. Although

genial, you are in yourself again.

I observe

your direct and respectable stride.

You are direct and self-accepting as a lion

in Afrikan velvet. You are level, lean,

remote.

 

There is a moment in Camaraderie

when interruption is not to be understood.

I cannot bear an interruption.

This is the shining joy;

the time of not-to-end.

 

On the street we smile.

We go

in different directions

down the imperturbable street.

 

from Blacks, 1987

 

More poems: https://www.poetryfoundation.org/poets/gwendolyn-brooks

 

The Beautiful Changes by Richard Wilbur

 

One wading a Fall meadow finds on all sides   

The Queen Anne’s Lace lying like lilies

On water; it glides

So from the walker, it turns

Dry grass to a lake, as the slightest shade of you   

Valleys my mind in fabulous blue Lucernes.

 

The beautiful changes as a forest is changed   

By a chameleon’s tuning his skin to it;   

As a mantis, arranged

On a green leaf, grows

Into it, makes the leaf leafier, and proves   

Any greenness is deeper than anyone knows.

 

Your hands hold roses always in a way that says   

They are not only yours; the beautiful changes   

In such kind ways,   

Wishing ever to sunder

Things and things’ selves for a second finding, to lose   

For a moment all that it touches back to wonder.

 

for more poems: https://www.poetryfoundation.org/poets/richard-wilbur - tab-poems

 

 

Coming to This  by Mark Strand

 

We have done what we wanted.

We have discarded dreams, preferring the heavy industry   

of each other, and we have welcomed grief

and called ruin the impossible habit to break.

 

And now we are here.

The dinner is ready and we cannot eat.   

The meat sits in the white lake of its dish.   

The wine waits.

 

Coming to this

has its rewards: nothing is promised, nothing is taken away.   

We have no heart or saving grace,

no place to go, no reason to remain.

 

Keeping Things Whole  by Mark Strand

 

In a field

I am the absence

of field.

This is

always the case.

Wherever I am

I am what is missing.

 

When I walk

I part the air

and always

the air moves in   

to fill the spaces

where my body’s been.

 

We all have reasons

for moving.

I move

to keep things whole.

 

for more poems: https://www.poetryfoundation.org/poets/mark-strand - tab-poems

Poems for October 5 (Poet Laureates)

 Josephine Jacobsen (NPC 1971-73): https://www.britannica.com/biography/Josephine-Jacobsen

Daniel Hoffman (NPC 1973-4)  https://www.britannica.com/biography/Daniel-Hoffman

Stanley Kunitz (NPC 1974-6-- first time; again in 2000-01)https://www.britannica.com/biography/Stanley-Kunitz

Robert Hayden (NPC 1976) https://www.britannica.com/biography/Robert-Hayden

William Meredith (NPC 1978-80) https://www.britannica.com/biography/William-Meredith

 

A Dream of Games  by Josephine Jacobsen

 

I.  A Game of Scrabble

 


His fingers hesitate over

his row-it is stammering

with i i i. Here nothing can stand

alone. let alone i.

Insipid he finally puts

and judgment

leaps on the board with a sweep.

 

The tall child makes gory, doubled.

The smooth tiles spell

relationships, accidents.

. . . eath, . . .eath. Fingering

d, one pauses there. A d

would do; br would be better.

 

Beyond the balcony the sea

flees in long quivers. Now here is the q

Friday before Crusoe-he has used his u

in ruins.

Below, slick and lovely, the frangipani

boughs, black as snakes and bare, spring

into pink at the top. Has anyone ever made

frangipani?

 

She has . .. ight; the sea suggests

an I —the sailboats shed it, the mango shines it back,

br the mango says. She has only an n

and the whole island disappears: where is the moon?

Not one thin star? Delight's chance is los


 

(There are more sections, but I can't access them.  In the poem below, I can't find the formatting.)

 

The Poem Itself[1]

 

From the ripe silence it exploded silently. When the bright debris subsided it was there. Invisible, inaudible; only the inky shapes betrayed it. Betrayed, is the word. Thence it moved into squalor, a royal virgin in a brothel improbably whole. It had its followers, pimps, even its lovers. The man responsible died, eventually. When the dust of his brain left the bones the bond snapped, it escaped to itself. It no longer answered. On the shelf, by the clock's tick, in the black stacks of midnight: it is. A moon to all its tides. 

 

Benediction by Stanley Kunitz

 


God banish from your house

The fly, the roach, the mouse

 

That riots in the walls

Until the plaster falls;

 

Admonish from your door

The hypocrite and liar;

 

No shy, soft, tigrish fear

Permit upon your stair,

 

Nor agents of your doubt.

God drive them whistling out.

 

Let nothing touched with evil,

Let nothing that can shrivel

 

Heart's tenderest frond, intrude

Upon your still, deep blood.

 

Against the drip of night

God keep all windows tight,

 

Protect your mirrors from

Surprise, delirium,

 

Admit no trailing wind

Into your shuttered mind

 

To plume the lake of sleep

With dreams. If you must weep

 

God give you tears, but leave

You secrecy to grieve,

 

And islands for your pride,

And love to nest in your side.


 

More poems: https://www.poetryfoundation.org/poets/stanley-kunitz

 

Mourning Poem for the Queen of Sunday by Robert Hayden[2]

Lord’s lost Him His mockingbird,   

       His fancy warbler;

       Satan sweet-talked her,

       four bullets hushed her.

       Who would have thought

       she’d end that way?

 

Four bullets hushed her. And the world a-clang with evil.   

Who’s going to make old hardened sinner men tremble now   

and the righteous rock?         

Oh who and oh who will sing Jesus down

to help with struggling and doing without and being colored   

all through blue Monday?

Till way next Sunday?

       All those angels

       in their cretonne clouds and finery   

       the true believer saw

       when she rared back her head and sang,   

       all those angels are surely weeping.   

       Who would have thought

       she’d end that way?

 

Four holes in her heart. The gold works wrecked.   

But she looks so natural in her big bronze coffin   

among the Broken Hearts and Gates-Ajar,   

it’s as if any moment she’d lift her head

from its pillow of chill gardenias

and turn this quiet into shouting Sunday

and make folks forget what she did on Monday.

 

       Oh, Satan sweet-talked her,   

       and four bullets hushed her.   

       Lord’s lost Him His diva,   

       His fancy warbler’s gone.   

       Who would have thought,

       who would have thought she’d end that way?

 

More poems here: https://www.poetryfoundation.org/poets/robert-hayden - tab-poems

 

Consequences  by William Meredith (--from Effort at Speech: New and Selected Poems. Copyright © 1997)

 

I. Of Choice

Despair is big with friends I love,

Hydrogen and burning jews.

I give them all the grief I have

But I tell them, friends, I choose, I choose,

 

Don’t make me say against my glands

Or how the world has treated me.

Though gay and modest give offense

And people grieve pretentiously,

 

More than I hoped to do, I do

And more than I deserve I get;

What little I attend, I know

And it argues order more than not.

 

My desperate friends, I want to tell

Them, you take too delicate offense

At the stench of time and man’s own smell,

It is only the smell of consequence.

 

II. Of Love

People love each other and the light

Of love gilds but doesn’t alter,

People don’t change one another, can scarcely

By taking will and thought add a little

Now and then to their own statures

Which, praise them, they do,

So that here we are in all our sizes

Flooded in the impartial daylight sometimes,

Spotted sometimes in a light we make ourselves,

Human, the beams of attention

Of social animals at their work

Which is loving; and sometimes all dark.

 

The only correction is

By you of you, by me of me.

People are worth looking at in this light

And if you listen what they are saying is,

Love me sun out there whoever you are,

Chasing me from bed in the morning,

Spooking me all day with shadow,

Surprising me whenever you fall;

Make me conspicuous as I go here,

Spotted by however many beams,

Now light, finally dark. I fear

There is meant to be a lot of darkness, 

You hear them say, but every last creature

Is the one it meant to be.

 

III. My Acts

The acts of my life swarm down the street like Puerto Rican kids,

Foreign but small and, except for one, unknived.

They do no harm though their voices slash like reeds;

All except one they have evidently been loved.

 

And down the hill where I’ve planted spruce and red pine

In a gang of spiked shadows they slouch at night.

I am reasonably brave. I have been, except on one occasion,

Myself: it is no good trying to be what you are not.

 

We live among gangs who seem to have no stake

In what we’re trying to do, no sense of property or race,

Yet if you speak with authority they will halt and break

And sullenly, one by one, show you a local face.

 

I dreamt once that they caught me and, holding me down,

Burned my genitals with gasoline;

In my stupid terror I was telling them names

So my manhood kept and the rest went up in flames.

 

‘Now, say the world is a fair place,’ the biggest one said,

And because there was no face worse than my own there

I said it and got up. Quite a lot of me is charred.

By our code it is fair. We play fair. The world is fair.



 

Here the pure poem escapes to speak of and for itself. It is. Pure energy. In a lecture called "The Instant of Knowing" delivered in Washington in 1973 while Josephine Jacobsen was Poetry Consultant to the Library of Congress, she commented that one must not "veer from the core of the job ... As I see it, the cause, the purpose, and the end of the position of Consultant in Poetry is poetry itself, as poetry is the poet's own job.... The center of everything is the poem. Nothing is important in comparison to that. Anything which in some valid way is not directly connected with that current of energy which is the poem is dispensable."

 

"A poem need not have power as its overt subject in order to concern itself with that issue. The "current of energy which is the poem" conspires with and enhances whatever subject it ignites. This is certainly true in "The Poem Itself," ... https://go.gale.com/ps/i.do?id=GALE|A133025686&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=00183644&p=LitRC&sw=w&userGroupName=anon%7Eef015fc3

 

 

[2] In August, I was biking on a Sunday with my son behind a Gospel church-- it was so moving to hear the whole church rocking with song—so when I saw this poem, I hope you can imagine the power of this kind of singing.  One commentary mentioned that whether the Queen took her own life, or was murdered, the poem goes beyond that. 

Poems for September 28 (Poet Laureates)

 Stephen Spender (PLC, 1965) https://www.britannica.com/biography/Stephen-Spender

James Dickey  (PLC 1966-68) https://www.britannica.com/biography/James-Dickey

William Jay Smith (PLC 1968-70) https://www.britannica.com/biography/William-Jay-Smith

William Stafford (PLC 1970-1)https://www.britannica.com/biography/William-Stafford

 

Two Poems | Stephen Spender

I

 

Doing anything and everything is a drug

My pen is a bitter root of oblivion, my thoughts

Force day to cover with pictures the abyss of waiting.

 

Then the meals interrupt and I ask For what,

For what am I waiting?

Is it for my loneliness to spring

An ascetic shoot of new power?

Or is it for her to come into the room

In her red dress and kiss my eyes to bliss

Murmuring “I love you as I love”?

 

For a year now I have breathed-in lies

Imagining my life was half one life, reciprocated

In another’s living need.

But now that half is fallen away and I stand with my body

Split by lightning

 

How is it possible to believe that what divides

Me, does not deprive her too?

That somewhere she is not sweetly sorrowfully waiting

On a similar desolate shore

Feeling the same loss as I do

And knowing the same cure?

 

Oh but there are posts, there are trains!

So these iron days prove

How long I have been wrong, it seems,

And how I still only swallow the truth

- That I have lost for ever her I love -

For a shrieking instant, then turn back again

To a drug of bitter days and dreams.

 

II

 

As I sit staring out of my window

Wasting time which the traffic does not waste

Nor any go the passers by in the street

Who keep time with time as they go

Measuring the seconds with their feet,

In their minds riding the crested tide

On white horses of pursuant days

I think of you, James, at another window

With your stubby hands relaxed and your blue gaze

Invaded by a sense of emptiness,

Startled as if a gust of air,

Had blown through the interstices

Of your mind and hair,

Ruffling your forehead with a puzzled despair.

     But I have learned lately that the spaces

And the timeless loneliness

Of the unfruitful waste places,

The desert, the untidy room, and the hour

Between waking and sleep,

Are windows opened onto power

Where we become most what we are,

When the conscious eye and ear

Are severed from what they see and hear

And in the hollow silent blackness deep,

Living tunes and images flower.

 

Buckdancer’s Choice  by James Dickey

 

So I would hear out those lungs,   

The air split into nine levels,

Some gift of tongues of the whistler

 

In the invalid’s bed: my mother,   

Warbling all day to herself

The thousand variations of one song;

 

It is called Buckdancer’s Choice.   

For years, they have all been dying   

Out, the classic buck-and-wing men

 

Of traveling minstrel shows;   

With them also an old woman  

Was dying of breathless angina,

 

Yet still found breath enough   

To whistle up in my head  

A sight like a one-man band,

 

Freed black, with cymbals at heel,   

An ex-slave who thrivingly danced   

To the ring of his own clashing light

 

Through the thousand variations of one song   

All day to my mother’s prone music,   

The invalid’s warbler’s note,

 

While I crept close to the wall   

Sock-footed, to hear the sounds alter,   

Her tongue like a mockingbird’s break

 

Through stratum after stratum of a tone   

Proclaiming what choices there are   

For the last dancers of their kind,

 

For ill women and for all slaves

Of death, and children enchanted at walls   

With a brass-beating glow underfoot,

 

Not dancing but nearly risen   

Through barnlike, theatrelike houses   

On the wings of the buck and wing.

 

More poems: https://www.poetryfoundation.org/poets/james-l-dickey

 

Ballad of the Lady quid pro quo[1]  by William Jay Smith

 

On the Coasts of Consternation,

Through a mournful field of snow,

On a piebald circus steed,

Rode the Lady Quid Pro Quo.

Rode the Lady Quid Pro Quo.

Dressed in domino demurely,

Reins held loosely but securely;

Through a melancholy mead,

On a piebald circus steed,

At a chaste and modest speed

Rode the Lady Quid Pro Quo,

Rode the Lady Quid Pro Quo.

 

(I know there are more verses, but not accessible on the net.)

 

Portrait for a Lapidary[2]

Perfection is the sense of being whole.

Her life is perfect then: it is entire,

flickering perhaps like minnows in a bowl,

yet positive and lunatic as fire.

What men will seek, what men will always feel

is no more sure to her than her own death:

she is eternal who doth so reveal

the tactful circle of her numbered teeth.

Evening may come, and after evening, dark.

She will grow old: symmetrical and clean,

the pavement of her mind resist the mark

of acid love and thought's acetylene.

She will preserve as the sleek, tropic tree

the careful curve of her stupidity.

 

More poems: https://poets.org/poet/william-jay-smith

 

At the Un-National Monument along the Canadian Border by William E. Stafford

 

This is the field where the battle did not happen,

where the unknown soldier did not die.

This is the field where grass joined hands,

where no monument stands,

and the only heroic thing is the sky.

 

Birds fly here without any sound,

unfolding their wings across the open.

No people killed—or were killed—on this ground

hallowed by neglect and an air so tame

that people celebrate it by forgetting its name.

 

Bess by William Stafford 

 


Ours are the streets where Bess first met her   

cancer. She went to work every day past the   

secure houses. At her job in the library

she arranged better and better flowers, and when   

students asked for books her hand went out   

to help. In the last year of her life

she had to keep her friends from knowing   

how happy they were. She listened while they

complained about food or work or the weather.   

And the great national events danced   

their grotesque, fake importance. Always

Pain moved where she moved. She walked   

ahead; it came. She hid; it found her.   

No one ever served another so truly;   

no enemy ever meant so strong a hate.   

It was almost as if there was no room   

left for her on earth. But she remembered

where joy used to live. She straightened its flowers;   

she did not weep when she passed its houses;   

and when finally she pulled into a tiny corner   

and slipped from pain, her hand opened

again, and the streets opened, and she wished all well.


 

More poems: https://www.poetryfoundation.org/poets/william-e-stafford


[1] Quid Pro Quo: something given or received for something else

[2] a person who cuts, polishes, or engraves gems